Joélle makes her debut at Des Moines Metro Opera as Anne Trulove in Stravinsky’s The Rake’s Progress.
Joélle returns to The Cleveland Orchestra for Beethoven’s Symphony No. 9 with Franz Welser-Möst.
Joélle returns to the Chamber Music Society at Lincoln Center for a program of Bach cantatas, with John Moore and Paul Appleby.
Joélle returns to the Metropolitan Opera for performances of Pamina in The Magic Flute, conducted by Steven White.
Joélle makes her debut with the Philadelphia Orchestra singing Mahler’s 4th Symphony, with conductor Dalia Stasevska.
Joélle makes her debut at the Bayerische Staatsoper singing Susanna in Mozart’s Le nozze di Figaro.
Joélle joins The Cleveland Orchestra and conductor Bernard Labadie for J.S. Bach’s Magnificat and Easter Oratorio.
Joélle joins frequent collaborators Bernard Labadie and the Orchestra of Saint Luke’s for a performance of J.S. Bach’s St. John Passion at Carnegie Hall.
Joélle joins Choral Arts DC and conductor Marie Bucoy-Calavan in Haydn’s Creation.
Joélle joins the Chicago Symphony Orchestra and conductor Manfred Honeck for Haydn’s Paukenmesse.
Joélle joins frequent collaborators Jonathan Cohen and the Handel and Haydn Society for a program of Handel cantatas.
Joélle joins the Cincinnati Symphony Orchestra for Bach’s Christmas Oratorio.
Joélle joins Robin Ticciati for his final season as the Deutsches Symphonie-Orchester, singing Mahler’s Second Symphony.
Joélle joins the Kansas City Symphony for Mahler’s Symphony No. 2, conducted by Michael Stern.
Joélle joins the Orchestra of St. Luke’s at Zankel Hall for Bach cantatas, conducted by Jeannette Sorrell
OSL.
Joélle joins the Houston Symphony for Orff’s Carmina Burana, conducted by Andrés Orozco-Estrada.
Joélle joins pianist Eric Schnobrick for a recital in Alexandria, VA.
Joélle joins the National Symphony Orchestra for Fauré’s Requiem, conducted by Bernard Labadie.
Joélle joins the Handel and Haydn Society for a concert of Mozart, conducted by Harry Christophers.
Joélle joins the Cincinnati Symphony Orchestra for Brahms’ Ein Deutsches Requiem, conducted by Louis Langrée.
Joélle joins the New World Symphony for Beethoven’s Ninth Symphony, conducted by Douglas Boyd.
Joélle joins the Chicago Symphony Orchestra for Händel’s Messiah, conducted by Sir Andrew Davis.CSO
Joélle joins the San Francisco Symphony for Händel’s Messiah, conducted by Jonathan Cohen.
Joélle joins the North Carolina Symphony for Händel’s Messiah, conducted by Carlos Miguel Prieto.North Carolina Symphony
Joélle joins the Handel & Haydn Society for Händel’s Messiah, conducted by Jonathan Cohen.
Joélle sings Tirsi in Händel’s cantata HWV 96, with The English Concert, Harry Bicket, Ailish Tynan, and Iestyn Davies, at Wigmore Hall.
Joélle sings the title role in Glyndebourne’s new production of Händel’s Semele, conducted by Václav Luks and directed by Adele Thomas.
Joélle is the soprano soloist with the Orchestra of Saint Luke’s in a concert of Händel’s Ode for the Birthday of Queen Anne, conducted by Bernard Labadie and presented at Carnegie Hall.
Joelle is the soprano soloist with the Minnesota Orchestra for Haydn’s The Creation, conducted by Paul McCreesh.
Joelle, baritone John Moore, and pianist Allen Perriello present a recital with PCMS.
Joélle is the soprano soloist with the Chicago Symphony Orchestra for Orff’s Carmina Burana, conducted by Osmo Vänskä.
Joelle sings Bach’s Wedding Cantata and Silete Venti of Händel with the Chamber Music Society of Palm Beach.
Joelle sings three Schubert songs with the Chamber Music Society of Lincoln Center (Gretchen am Spinnrade, Auf dem Strom, and Der Hirt auf dem Felsen).